Youtube the killing danish series#
The original Danish series was penned by Søren Sveistrup, who was an executive producer for the American series.
Youtube the killing danish tv#
The American remake was written and developed primarily by Veena Sud, who worked as a reality TV director before writing and executive producing Cold Case. In The Killing the soundtrack has no lyrics it consists of instrumental music. Other cast members include Brendan Sexton III (Three Billboards Outside Ebbing, Missouri) as Stanley’s close friend Belko Royce, Annie Corley (The Bridges of Madison County) as social worker Regi Darnell, and Eric Ladin (Mad Men) as campaign manager Jamie Wright. Rosie’s parents Stanley and Mitch are played by Michelle Forbes (24) and Brent Sexton (Deadwood). Judging Amy’s Kristin Lehman plays Gwen Eaton, his campaign advisor. Nothing tests a TV series like uprooting it to a new country and changing the language, so The Killing, the American remake of the Danish series Forbrydelsen, was. Swedish actor Joel Kinnaman (House of Cards, Suicide Squad) plays rookie Detective Stephen Holder.īilly Campbell (Dynasty) plays Darren Richmond, who is running for mayor. Previously, Enos guest starred on Sex and the City and played twins in HBO’s Big Love. Mireille Enos won a Golden Globe for playing detective Sarah Linden, whose plans to move to California are thwarted after she is assigned the Rosie Larson case. The case quickly becomes complex, with numerous possible suspects identified and broad implications for the whole community. The first series of the American crime drama follows an investigation into the murder of Seattle teen Rosie Larson from multiple perspectives, including the police and Rosie’s grieving family.Īfter Rosie’s body is found in the boot of a submerged car, veteran detective Sarah Linden is assigned to the case alongside rookie Stephen Holder. Seasons one and two are 13 episodes long, season three has 12 episodes, and season four has only six episodes. For a distributor like DR, which is looking to maximize its dealmaking in each territory, that’s appealing.There are four seasons of the show, each with varying numbers of episodes.
But a smaller upstart like Topic can tout the fact that it’s only looking for North American rights - unlike Netflix or Amazon, which look to do global licenses. Streaming behemoths like Netflix are at the forefront of acquiring such new and library international titles.
Killing It follows the release of her debut single Favourite Lover as. So we’ve only been selling the streaming rights for about six months, and we’ve seen a huge spike in interest.” Emma Grankvist is a singer-songwriter from Denmark. “We were finally able to clear all rights at the end of 2020,” said DR sales executive Freja Johanne Nørgaard Sørensen. It was only recently that Danish production company DR ironed out streaming VOD rights and could start selling it worldwide - and that’s when Topic came calling. network interested in acquiring episodes back in the day. “What we were excited about in launching Topic was to be a home for so many great series over the past five or ten years that never really came meaningfully or at all to the U.S., partially because the appetite wasn’t there, or there wasn’t anybody focused on looking and picking out what was available,” Chanatry says.
audiences have shown a willingness to watch subtitled series. But there’s a new hunger now for global fare, especially now that U.S. Danish detective Sarah Lund struggles to unravel brutal murders, amid the politics of policework and families devastated by violent crime. series when the shelves were empty due to a Hollywood strike or production shutdown. broadcast and cable outlets, which preferred to focus on homegrown fare - and would only acquire Canadian or U.S. International series, particularly those not in English (but even plenty that were) used to be nonstarters for U.S. version to see what inspired it,” says Topic general manager Ryan Chanatry. “I think this is a perfect time to be releasing and hopefully getting people who watched the U.S. Now, international hits such as Netflix’s “Squid Games” and “La Casa de Papel” have become more frequent.
predating the streaming revolution, which has made it much easier to watch such shows. The international success of “The Killing” foretold the globalization of worldwide TV hits hailing from all parts of the globe, not just the usual territories like the U.S.